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Showing posts from November, 2019

EVALUATION OF WORKSHOP 1

For the recording I used voice memos on my phone and an empty room to make sure there was no interruptive noises, we mailed all the voice clips that we did in separate takes into one file to make sure we have everything accessible. we used GarageBand to cut the clips together, trying to pair our clips with what was showing on screen as it's the characters thoughts we didn't have to sync it perfectly with the characters. Although the syncing wasn't a huge need we had to effectively analyse the scene in order to really understand what the characters would've been thinking to themselves. we used a clip from 2017's Sonic mania shorts, the interesting thing is that they were all silent and we used it as we felt we could capture the best thoughts and emotions by reading the characters rather than hearing what they had to say in the scene to really understand it. From sonic being on the verge of getting hurt to Dr. Robotnik's iconic laughter, recording the scene with t...

David's assignment

Hush- The ending sequence has the most music and sound effects as the rest of the movie was from the woman's perspective whereas we get to see the killer's perspective whilst the woman is fighting back. The movie up to this point has been leading up to the big finale, with it's lack of sound effects and music the viewers feel enclosed and claustrophobic which makes us sympathise more with the main character's situation and lets us have the experience of exactly how she feels at all times during the film's 1 hour and 10 minutes until the killer finally comes in. the film's music rises to a crescendo at around 67 minutes as the significantly more injured Maddie stands up from the floor, coming face to face with the killer, only a pane of glass between them.this queues the audience to get ready for a final showdown between the two. After chasing Maddie out of the bathroom while she bleeds out, slowly losing her balance as she falls to the ground, the music di...